08.2025 Alternative pedagogy: Late Summer School 07.2025 Launched a residency programme with Slavs and Tatars, the De Ying Foundation and the Goethe-Institut 06.2025 Curatorial Practices in Asia: A Retreat for the Retreated in collaboration with the Goethe-Institut 11.2024 Wan Hai Hotel: Pacific Studies 10.2024 Becoming Rehearsal: a process-driven performative exchange and workshops. 07.2024 A party, where you have to earn your entrance for a night of performances and artistic exchanges. 07.2024 Commissioned three audiovisual performances with Eastern Margins. 03.2024 AUUUUDITORIUM reclaimed the Rockbund Art Museum's historical auditorium with a scenography by Ming Wong. 03.2023 Chated with Xin Liu about her work and intimacy at the Courtauld. 02.2023 Artforum/Bassam Al-Sabah: The seduction of CGI and the limits of the self 06.2022 Silk, Wars, Asias in Viscose Journal. 06.2022 Chaired the conference panel Life after the ruins: Precarity, labour, work infrastructures at UCL. 06.2022 JSC Worldbuilding exhibition catalogue - Lawrence Lek, Nepenthe Zone 06.2022 In dialogue with Lawrence Lek about friendships and futures. 04.2022 I gave a talk on Bassam Al-Sabah's exhibition I AM ERROR at De La Warr Pavilion. 12.2021 A Text on skin-ego, simulation and regenerative futurism for Jinseung Jang's solo show Réalité Simulée at Onsu Gonggan, Seoul. 10.2021 CIRCA: Destination, Circulation, Where Are We Going? 09.2021 I talked about technological optimism in relation to the COVID-19 machine on the panel discussion of Local/Translocal: The Reproduction of Technological Promise at Chinsenhale Gallery, London. 06.2021 Currently on Vdrome 05.2021 Plastic Love / 塑胶爱 02.2021 I talked about how Advanced Practices in the arts explore, invent and restage knowledge formats at Visual Cultures Public Lecture, Goldsmiths, University of London 04.2020 Submitted PhD thesis titled Cyber-Proletariat and the New Subaltern Space. 11.2019 I started a post-doc role, working on the AHRC funded project Bio-Exempt. 09.2019 I responded to Shanzhai Lyric’s "FREEDON (and on and on)" at the Women’s Art Library. 03.2019 I produced a CGI film. 06.2018 Latin America Subaltern Studies Group 10.2017 I took part to organise (X) An Evening of Performances at DRAF. 09.2017 I read Chinese Sci-fi for CAMPerVAN at Jupiter Woods. 03.2017 I organised and presented at the International Curatorial Workshop: Curating and Social Change. 09.2016 I contributed to An Anecdoted Archive of Exhibition Lives that was exhibited at Bergen Assembly, organised by freethought. 11.2015 I started researching a PhD at Curatorial/Knowledge, Goldsmiths. 07.2015 Black Box Formula. 01.2015 Are we working too much? 10.2014 I talked to Valerie Steele about obsessions. 05.2014 Introspections is an artist moving image programme I curated in collaboration with LUX and BFI at London’s Picturehouse. 01.2014 13th Istanbul Biennial: Mom, Am I Barbarian? 05.2012 An exhibition investigating creative resistance was curated and exhibited at the Guardian. 03.2012 Circular Facts 03.2011 I took part in the process of recovering and re-activating a pedagogic experiment: the ‘A’ Course with MayDay Rooms.
06.2025

Founded in 2018, Curatorial Practices in Asia (CPA) is a platform dedicated to shaping the narrative and charting the future course of curatorial practices in and through Asia and the Asian Diaspora. Titled "A Retreat for the Retreated,” the 2026 edition collaborated with “Solitude: Loneliness and Freedom,” a regional project of the Goethe-Institutes in East and Central Asia. The project holds the premise that loneliness, solitude, and self-imposed withdrawal are social phenomena that increasingly characterize our present day and are salient in the artistic community as well. The project approaches this multi-layered complex of themes through a transnational, multi-directional and discursive-artistic approach that aims to make also non-Western modes of perception and discourses visible.

The three-day retreat is organised with the Goethe-Institut for those who have retreated to the sprawling edge of the networks and exist in liminal spaces. It is bringing together thirteen alternative art spaces and artist collectives working across disciplines in the field of visual culture and operating at the periphery of the so-called art centres in China. These dispersed collectives and their extensive network operate without necessarily having a physical space yet are locally rooted to penetrate the community and form solidarity beyond the constraints of physical and geographical boundaries.

These spaces might work in dispersed regions in solitude in terms of locality, but they are not necessarily lonely and have the freedom to choose what they want to write, what they want to engage in, and what they want to produce. By retreating together, new possibilities for collaboration and support networks would hopefully be envisioned.

Participating collectives