06.2021 Currently on Vdrome. 05.2021 塑胶爱 06.2020 Destination, Circulation, Where Are We Going? 04.2020 I submitted my PhD thesis titled Cyber-Proletariat and the New Subaltern Space. 11.2019 I started a post-doc role, working on the AHRC funded project Bio-Exempt. 09.2019 I responded to Shanzhai Lyric’s "FREEDON (and on and on)" at the Women’s Art Library. 03.2019 I produced a CGI film. 06.2018 Latin America Subaltern Studies Group 10.2017 I organised (X) An Evening of Performances at DRAF. 09.2017 I read Chinese Sci-fi for CAMPerVAN at Jupiter Woods. 03.2017 I organised and presented at the International Curatorial Workshop: Curating and Social Change. 09.2016 I contributed to An Anecdoted Archive of Exhibition Lives that was exhibited at Bergen Assembly, organised by freethought. 11.2015 I started researching a PhD at Curatorial/Knowledge, Goldsmiths. 07.2015 Black Box Formula. 01.2015 Are we working too much? 10.2014 I talked to Valerie Steele about obsessions. 05.2014 Introspections is an artist moving image programme I curated in collaboration with LUX and BFI at London’s Picturehouse. 01.2014 13th Istanbul Biennial: Mom, Am I Barbarian? 05.2012 An exhibition investigating creative resistance was curated and exhibited at the Guardian. 03.2012 Circular Facts 03.2011 I took part in the process of recovering and re-activating a pedagogic experiment: the ‘A’ Course with MayDay Rooms.
11.2019

Working with Dr. Zach Blas, Bio-Exempt: Art in the Age of Digital, Networked Surveillance is a three-year research project investigating digital, networked surveillance in transdisciplinary contexts, focusing on visual arts and minoritarian politics (queer, feminist, anti-racist). The project engages media theory, surveillance studies, and digital arts to produce public knowledge exchanges between artists, scholars, technologists and government workers who have the ability to affect policies and work towards eliminating social and cultural biases that are programmed into technical devices.