03.2023
Chated with Xin Liu about her work and intimacy at the Courtauld.
02.2023
Artforum/Bassam Al-Sabah: The seduction of CGI and the limits of the self
06.2022
Silk, Wars, Asias in Viscose Journal.
06.2022
Chaired the conference panel Life after the ruins: Precarity, labour, work infrastructures at UCL.
06.2022
JSC Worldbuilding exhibition catalogue - Lawrence Lek, Nepenthe Zone
06.2022
In dialogue with Lawrence Lek about friendships and futures.
04.2022
I gave a talk on Bassam Al-Sabah's exhibition I AM ERROR at De La Warr Pavilion.
12.2021
A Text on skin-ego, simulation and regenerative futurism for Jinseung Jang's solo show Réalité Simulée at Onsu Gonggan, Seoul.
10.2021
CIRCA: Destination, Circulation, Where Are We Going?
09.2021
I talked about technological optimism in relation to the COVID-19 machine on the panel discussion of Local/Translocal: The Reproduction of Technological Promise at Chinsenhale Gallery, London.
06.2021
Currently on Vdrome
05.2021
Plastic Love / 塑胶爱
02.2021
I talked about how Advanced Practices in the arts explore, invent and restage knowledge formats at Visual Cultures Public Lecture, Goldsmiths, University of London
04.2020
Submitted PhD thesis titled Cyber-Proletariat and the New Subaltern Space.
11.2019
I started a post-doc role, working on the AHRC funded project Bio-Exempt.
09.2019
I responded to Shanzhai Lyric’s "FREEDON (and on and on)" at the Women’s Art Library.
03.2019
I produced a CGI film.
06.2018
Latin America Subaltern Studies Group
10.2017
I took part to organise (X) An Evening of Performances at DRAF.
09.2017
I read Chinese Sci-fi for CAMPerVAN at Jupiter Woods.
03.2017
I organised and presented at the International Curatorial Workshop: Curating and Social Change.
09.2016
I contributed to An Anecdoted Archive of Exhibition Lives that was exhibited at Bergen Assembly, organised by freethought.
11.2015
I started researching a PhD at Curatorial/Knowledge, Goldsmiths.
07.2015
Black Box Formula.
01.2015
Are we working too much?
10.2014
I talked to Valerie Steele about obsessions.
05.2014
Introspections is an artist moving image programme I curated in collaboration with LUX and BFI at London’s Picturehouse.
01.2014
13th Istanbul Biennial: Mom, Am I Barbarian?
05.2012
An exhibition investigating creative resistance was curated and exhibited at the Guardian.
03.2012
Circular Facts
03.2011
I took part in the process of recovering and re-activating a pedagogic experiment: the ‘A’ Course with MayDay Rooms.
In the late spring of 1969, four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature, the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious.
As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well-known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective.
