03.2023 Chated with Xin Liu about her work and intimacy at the Courtauld. 02.2023 Artforum/Bassam Al-Sabah: The seduction of CGI and the limits of the self 06.2022 Silk, Wars, Asias in Viscose Journal. 06.2022 Chaired the conference panel Life after the ruins: Precarity, labour, work infrastructures at UCL. 06.2022 JSC Worldbuilding exhibition catalogue - Lawrence Lek, Nepenthe Zone 06.2022 In dialogue with Lawrence Lek about friendships and futures. 04.2022 I gave a talk on Bassam Al-Sabah's exhibition I AM ERROR at De La Warr Pavilion. 12.2021 A Text on skin-ego, simulation and regenerative futurism for Jinseung Jang's solo show Réalité Simulée at Onsu Gonggan, Seoul. 10.2021 CIRCA: Destination, Circulation, Where Are We Going? 09.2021 I talked about technological optimism in relation to the COVID-19 machine on the panel discussion of Local/Translocal: The Reproduction of Technological Promise at Chinsenhale Gallery, London. 06.2021 Currently on Vdrome 05.2021 Plastic Love / 塑胶爱 02.2021 I talked about how Advanced Practices in the arts explore, invent and restage knowledge formats at Visual Cultures Public Lecture, Goldsmiths, University of London 04.2020 Submitted PhD thesis titled Cyber-Proletariat and the New Subaltern Space. 11.2019 I started a post-doc role, working on the AHRC funded project Bio-Exempt. 09.2019 I responded to Shanzhai Lyric’s "FREEDON (and on and on)" at the Women’s Art Library. 03.2019 I produced a CGI film. 06.2018 Latin America Subaltern Studies Group 10.2017 I took part to organise (X) An Evening of Performances at DRAF. 09.2017 I read Chinese Sci-fi for CAMPerVAN at Jupiter Woods. 03.2017 I organised and presented at the International Curatorial Workshop: Curating and Social Change. 09.2016 I contributed to An Anecdoted Archive of Exhibition Lives that was exhibited at Bergen Assembly, organised by freethought. 11.2015 I started researching a PhD at Curatorial/Knowledge, Goldsmiths. 07.2015 Black Box Formula. 01.2015 Are we working too much? 10.2014 I talked to Valerie Steele about obsessions. 05.2014 Introspections is an artist moving image programme I curated in collaboration with LUX and BFI at London’s Picturehouse. 01.2014 13th Istanbul Biennial: Mom, Am I Barbarian? 05.2012 An exhibition investigating creative resistance was curated and exhibited at the Guardian. 03.2012 Circular Facts 03.2011 I took part in the process of recovering and re-activating a pedagogic experiment: the ‘A’ Course with MayDay Rooms.

Latin America Subaltern Studies Group

In the midst of redefining Latin American political and cultural space, the Latin America Subaltern Studies Group was founded in the early 1990s to study the subaltern in Latin America. They recognised the Indian Subaltern Studies Group and Guha’s work as a means to recover the cultural and political specificity of peasant insurrection through two components: identifying the logic of the distortions in the representation of the subaltern in official or elite culture; and uncovering the social semiotics of the strategies and cultural practices of peasant insurgencies themselves. They also recognised the role of the subaltern as not only a passive or “absent” subject that can be mobilised from above, but also produces social effects that are visible, if not always predictable or understandable. [1]

Latin American Studies has been involved with questions of subalternity since its inauguration as a field in the 1960s, a field constituted by a spectrum of academic disciplines ranging from the philosophical critique of metaphysics, to contemporary literary and cultural theory, to history and the social sciences. And the force behind the problem of the subaltern in Latin America arises out of the need to reconceptualise the relation of nation, state, and “people” in the three social movements that have centrally shaped the contours and concerns of Latin American Studies: The Mexican, Cuban and Nicaraguan Revolutions.

For the Indian Subaltern Studies Group, the inadequacy of elite leadership failed to represent the nation – the central problematic of postcoloniality. Whereas in the Latin American context, ‘the subaltern functions as a “migrating” subject, both in its own cultural self-representations and in the changing nature of its social pact with the state(s)’. [2] Here the subaltern is not one thing, it is a mutating subject and functions as a “migrating” subject. This suggests that the subaltern in the Latin American context is not pinned down to a specific group of people, but rather it is an attachable notion that moves with the people of different identities that are not area-elites.

The presence and reality of subaltern social subjects in Latin American history has been obscured by the domination of Creole elites, of how they manage other social groups or classes in their own societies. For the study group, the study cannot operate solely within the prototype of nationhood. Additionally, the migrating subject must be plotted against its position in the stages of development of a national economy, as ‘the consent of the subaltern classes and their identity as economic categories underwrite the increased productivity that is the sign of progress and economic stability’. [3]By calling the concept of nation into question, this in turn affects “national” notions of elite and subaltern. Lastly, the subaltern includes the masses of the labouring population and the intermediate strata, as well as the nonworking subjects: this requires the study group to explore the margins of the state with the premise of nation as a conceptual space that is not identical to the nation as state.

[1]Latin American Subaltern Studies Group cites Guha’s “The Prose of Counter-Insurgency” in Selected Subaltern Studies p45-84, “Founding Statement”, The Postmodernism Debate in Latin America, boundary 2, Vol. 20, No.3, Autumn 1993, pp.110-121, p111-2
[2]Ibid. p118